Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Nicolaes Van Verendael
A Tulip, Carnations and Morning Glory in a Glass Vase
Nicolaes Van Verendael1.jpg
ID: 00777

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Nicolaes Van Verendael A Tulip, Carnations and Morning Glory in a Glass Vase


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Nicolaes Van Verendael

Flemish 1640-1691 He became a member of Saint-Luc d Anvers craft in 1657. He did not paint lots of pictures and lived modestly.  Related Paintings of Nicolaes Van Verendael :. | The Family of Queen Victoria (mk25) | At the Falling of the Year | Villin Player at the Window (mk35) | The Cliff at Etretat after the Storm | Girl in Red in Red Kimono (nn02) |
Related Artists:
Jan van de Capelle
seascape master Dutch Baroque Era Painter, C.1624-1679
Eduardo Zamacois Y Zabala
Eduardo Zamacois y Zabala (ca. 1841 - 14 January 1871) was a Spanish academic painter who was born in Bilbao, Spain in 1841 or 1842. He moved to Madrid in 1859, where he enrolled in the Real Academia de Bellas Artes de San Fernando and studied with Federico de Madrazo. In 1860, he studied in Paris with Jean-Louis-Ernest Meissonier (1815-1891). He achieved success at the Paris Salon of 1867 with Buffon au 16e siecle. Zamacois y Zabala is associated with both classicism and anti-clerical art. He is known to have employed the Swiss painter Edouard Castres (1838-1902) as his assistant. He died in Madrid in 1871 at the age of 29.
William Turner of Oxford
British, 1789-1862 He probably received his earliest training from William Delamotte, in Oxford. In 1804 he went to London and became a pupil of John Varley, possibly being formally apprenticed. He first exhibited at the Royal Academy in 1807; in January 1808 he was elected an associate of the Society of Painters in Water-Colours, and in November of that year became its youngest full member. He exhibited there annually from 1808 until his death, sending 455 works in all. His passionate, technically complex youthful work was highly acclaimed, yet its promise remained unfulfilled; around 1811 he returned to Oxfordshire and soon established himself as a drawing-master in Oxford.






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